Teertham 2013 Aani Bramothsavam Festival

The below photographs were taken at the Ayyankulam Tank in front of the Arunagirinathar Temple a few minutes walk from Arunachaleswarar Temple. The idols are being bathed at the teertham on the tenth and last day of the 2013 Aani Bramothsavam Festival. 

To those unfamiliar with the very beautiful and recently restored Arunagirinathar Temple, I am posting additional photographs of the third oldest Shiva Temple at Arunachala. 

Arunachala Darshan from Arunagirinathar Temple. Raja Gopruam at right

An ancient Temple that has an intricate relationship with Arunachaleswarar Temple and the Hill. It is at this Temple that the last three days of Deepam Festival are celebrated when the Gods are taken on elaborately decorated floats onto the large tank. 

If you take time to walk around the perimeter of the Temple Tank, you will be rewarded with interesting and fascinating sights of a number of obscure but powerful shrines and Temples. The view also of Arunachala is quite sublime from most aspects around the Ayyankulam Tank.

Fascinating, ancient Arunagirinathar Temple

Navagraha Shrine at Arunagirinathar Temple

Arunagirinathar Temple has powerful sanctum sanctorums dedicated to Lord Shiva and the Goddess. It also has my favourite Navagraha Shrine at Tiruvannamalai, which includes a most ornate and beautiful representation of Lord Surya. 

Lord Surya with his Mounts

Powerful and Beautiful Navagraha statues

To read more about this Temple and Tank, go to this link here. And to explore the perimeter of the Ayyankulam Tank, go to this link here. 

Peaceful Adiannamalai Temple

Nowadays an increasing number of pilgrims visit Adiannamalai Temple during their Arunachala Girivalam. However considering the significance and power of this Temple, one wonders why significantly more pilgrims don’t break their girivalam to spend time at what is believed to be the oldest Shiva Temple at Arunachala. Its history predates even Arunachaleswarar Temple on the southeast side of the Hill and the only other Shiva Temple of major historical emminence is the very beautiful, and again, relatively unvisited Arunagirinathar Temple on the side of the Ayyankulam Thirtham. 

To read more about a visit to Arunagirinathar Temple go to this link here, and its significance in connection with Ramana Maharshi, to this link here. 

Entrance to Adiannamalai Temple

It was after the establishment of the Temple at Adi Annamalai that Lord Siva then manifested himself as Swayambhu Linga (Self Created) on the southeast side of the Hill. The Temple housing this sacred Linga is known as Arunachaleswarar Temple. 

Lord Shiva and his Goddess

According to legend Brahma got enamoured of Tillottama, his own daughter (i.e. one of his own creations) and in his mood of infatuation went after her in the form of a dove. When she took refuge in Siva, the Lord confronted Brahma in the form of a Hunter and dispelled his delusion. There is even today on the slopes of Arunachala, a Temple to the Lord as Hunter, known as Vediyappan Koil, being called wrongly nowadays as Kannapar Koil. To get himself absolved of the sin committed, Brahma installed and worshipped a Linga of Lord Arunachaleswarar. This is also called Adi Annamalai. 

Wonderful Arunachala darshan from Temple Compound

In the Arunachala Puranam (Tamil), Brahma says to his son Sanaka, “To remove the unabating Karmas I installed and worshipped a Linga of Lord Arunachala, who is called Ani Annamalai (Ani = Beautiful)”. 

Beautiful statue of Nandi

It is reported that the vision of Arunachala from this Temple is known as Siva Yoga Muka Darshan and the great Siddha Thirumoolar saw this aspect. Bhagavan Sri Ramana Maharshi who used to camp at Adi Annamalai for up to 2-3 nights while performing Giri Valam was reported to have said that while at the Temple he heard the celestial recital of 'Sama Veda'. 

Lord Subramanya and his two wives

The month of Maargazhi (December-January) is considered the pre-dawn hour of the gods (Brahma Muhurtha). Saint Manickavachakar sang his immortal ‘Thiruvembavai’ at Adi Annamalai. This song of bridal mysticism is sung all over Tamil Nadu every morning of Maargazhi month. There is a Temple and pond dedicated to this saint at Adi Annamalai. 

Pradakshina of Temple compound

For more detail and photographs of this beautiful Temple please visit my website Arunachala Samudra at this link here.

Parrots and Arunachala

In Hindu mythology a vahana or vehicle (sometimes called a mount) is an animal closely associated with a particular deity. Similarities can be found in the religious associations of Hindu vahanas to animal totems and familiars in non-Hindu belief systems.

Sacred animals who become the vahanas of various Hindu gods, symbolize and complement the energy or character of the deity and come to be integral to the iconography of that God and are thereafter always depicted with them. Each God or Goddess is in charge of a particular energy they control. These vehicles actually symbolize the various energies that exist in the Universe as well as in human beings.

The parrot in Hindu mythology is associated with Kama, the god of love and his consort Rati. Kama is depicted as riding a parrot and taking aim with his bow made from sugarcane and arrows made of flowers. To find out more about the Rose Ringed Parakeet which can be found in abundant numbers around Arunachala, go to my Arunachala Birds at this link here.

Goddess Meenakshi

In many South Indian temples, the Goddess holds a parrot in her hand. This is the gentle form of Devi, associated with the Goddesses Meenakshi and Kamakshi and Lalita Tripurasundari.

Goddess Kamakshi

These goddesses are various forms of Parvati, wife of Shiva. In this form she is the love-goddess or enchantress who charms Shiva and transforms the hermit-god into a householder, thus ensuring a participation of god in worldly life.



Parrot at Arunachaleswarar Temple

The parrot, has a curious connection with Arunachaleswarar Temple where an ornately painted mortar image of a parrot (Kili) can be seen in a niche in the Kili Gopuram tower at the Temple. The story involves Arunagirinathar, a famous saint and Murugan bhakta of Tiruvannamalai, who legend has it happily spent the last years of his life in the form of a parrot resident at the Temple.

Saint Arunagirinathar

One story has it that after orator Sambandan lost a challenge to Arunagirinathar, he tried to get revenge. He went to the king, who had been blinded by the darshan of Murugan, and told him:

‘If your highness can persuade Arunagirinathar to bring a parijata flower from svargaloka [one of the heavenly worlds], a few drops squeezed from the flower onto your eyes will restore your eyesight.’

The king, eager to regain his vision, commissioned Arunagirinathar to fetch the flower. In order to reach the heavenly world, Arunagirinathar entered the body of a parrot that had recently died and reanimated it. He left his own body in one of the niches of a gopuram in the Arunachaleswarar Temple and flew off to collect the flower. After the parrot had departed on its mission, Sambandandan, who had been watching Arunagirinathar’s movements, announced that the lifeless body was dead, and asked for permission to cremate it. The king agreed and the body was quickly burned.

Some time later Arunagirinathar returned with the flower only to discover that he no longer had a human body to return to. He went to the king in his parrot body and restored the king’s eyesight with parijata flower juice and explained what had happened. Realising that he had been tricked, the king was struck with grief because he knew that it would now be impossible for Arunagirinathar to resume human form. However Arunagirinathar, was untroubled by events and happily spent the remainder of his life in the parrot’s body continuing to compose poetry in praise of Lord Murugan

Kili Gopuram, Left Side

Parrot Statute on Kili Gopuram

Parrots at Adi Annamalai Temple

With careful attention to detail during renovation of Adi Annamalai Temple, the little openings at the top of the compound walls surrounding the Temple were preserved so they could continue to remain as nesting places for: parrots, doves, pigeons, sparrows, owls and bats.

Parrots Nesting at Adi Annamalai Temple

If you enter the compound of Adi Annamalai during bird nesting season, you will often be met with clouds of parrots and doves going on flypast.

To read of the restoration of Adi Annamalai Temple go to this link here:


The Celestial Parrot

Shuka means tropical bird, particularly, parrot. This bird has the special privilege of resting on the right shoulder of Goddess Meenakshi, who is none other than Goddess Raja Matangi also known as Raja Shyamala. Meenakshi is identified with Raja Mathangi or manthrini, the minister of SriLalitha Tripura Sundari. The parrot resting on Her shoulder is a celestial partner of the Goddess, imparting knowledge of all the 64 arts to Devi.

The 64 bahyakalas (practical arts) are:

(1) singing (2) instrumental music (3) dancing (4) painting (5) forehead adornments (6) making decorative floral and grain designs on the floor (7) home and temple flower arranging (8) personal grooming (9) mosaic tiling (10) bedroom arrangements (11)creating music with water (12) splashing and squirting with water (13) secret mantras (14) making flower garlands (15) head adornments (16) dressing (17) costume decorations (18) perfumery (19) jewelry making (20) magic and illusions (21) ointments for charm and virility (22) manual dexterity (23) skills of cooking, eating and drinking (24) beverage and dessert preparation (25) sewing (26) embroidery (27) playing vina and drum (28) riddles and rhymes (29) poetry games (30) tongue twisters and difficult recitation (31) literary recitation (32) drama and story telling (33) verse composition game (34) furniture caning (35) erotic devices and knowledge of sexual arts (36) crafting wooden furniture (37) architecture and house construction (38) distinguishing between ordinary and precious stones and metals (39) metal-working (40) gems and mining (41) gardening and horticulture (42) games of wager involving animals (43) training parrots and mynas to speak (44) hairdressing (45) coding messages (46) speaking in code (47) knowledge of foreign languages and dialects (48) making flower carriages (49) spells, charms and omens (50) making simple mechanical devices (51) memory training (52) game of reciting verses from hearing (53) decoding messages (54) the meanings of words (55) dictionary studies (56) prosody and rhetoric (57) impersonation (58) artful dressing (59) games of dice (60) the game of akarsha (dice board game) (61) making dolls and toys for children (62) personal etiquette and animal training (63) knowledge of dharmic warfare and victory (64) physical culture.

Sri Arunagirinathar Temple Theerthavari Ceremony

As part of the Mahadhaya Maha Punniya Kalam 2016 ceremonies, Theerthavari was performed in the Ayyankulam Tank in the early morning of February 8, 2016. 

While Sulam immersion and subsequent puja was being observed at the Theertham, the Gods of 5 Arunachala Temples gave darshan to devotees whilst on their palanquins outside Sri Arunagirinathar Temple. 

The Five Temple Gods being: 

Arunachaleswarar Temple (Siva Temple)

Kumarakovil (Murugan Temple)

Angalamman Temple (Amman Temple)

Sri Mariamman Temple (Amman Temple)

Sri Pachaiamman Temple (Amman Temple) 

Sri Arunachaleswarar and Sri Amman

Gods from Kumarakovil Temple (left) and Angalamman Temple (right)

Sri Arunachaleswarar on palanquin back to Big Temple

Sri Amman following Sri Arunachaleswarar Palanquin

I hope to post more photographs of the procession of the Gods of the 5 Temples within the next few days. Please check back.

Some Favoured Arunachala Temples and Shrines

Some who perform Arunachala girivalam like to go around the Hill in silence and without stopping. Others like to stop at favourite shrines and lingams along the way. I prefer the former method, and enjoy silent circumambulation. However to view favoured Shrines I frequently take a vehicle to visit certain Temples. 

There are a number of fascinating Shrines and Temples which are located a little way off the main girivalam roadway, so do not attract the same number of visitors, but are very well worth a visit.

Below are some of my own favourite spots which are not as well visited as the more famous Girivalam shrines:

1. Balaji Temple. A Temple still under development. But with a completed major Shrine room dedicated to Lord Venkateshwara. This Temple with large grounds has an interesting selection of other Shrines including: Lord Hanuman, Goddesses Kali and Durga, Lord Sani with Kettu and Raghu, the Snake Goddess.

Balaji (Sri Venkateshwara) Temple from distance

2. Pachaiamman Temple. The Temple is beginning to attract larger crowds than previously. It is particularly interesting because of its legends connected with the Goddess Parvarti and its huge Guardian Statues. 

Guardians to the Goddess at Pachaiamman Temple

3. Esanya Ashram (located across from Esanya Lingam) located on the alternate girivalam pathway, parallel to the main roadway. The Ashram contains the Samadhi of the great Saint.

Samadhi of great saint Isanya Desikar

Below is a very nice story about how the famed Saint Isanya Desikar helped his British devotee Ayton, overcome dangers in his efforts to safely attend a Deepam Festival. 

The story goes thus:- 

Isanya Desikar, whose math is located just outside Tiruvannamalai on the old pradakshina road, was a distinguished yogi who, like many before and after him, felt the spiritual call of Arunachala. He was born in 1750 in a small village called Rayavelur in northern Tamil Nadu. He came and settled at the foot of Arunachala only late in his life, but nevertheless, by virtue of his intense and personal relationship with Arunachaleswara, he is regarded as one of the major saints of Arunachala. 

Isanya Desikar had a western devotee, who is now recalled by the name of Ayton. He was the then District Collector for the region that extended from Tiruvannamalai to Vriddhachalam. Ayton had heard about the greatness of Isanya Desikar and approached him in the hope of getting a cure from the tuberculosis from which he had been suffering for many years. 

Isanya Desikar smiled and after a brief pause spat on the ground. The moment he spat, Ayton was cured of the disease. Ayton then spoke to the holy man with both trepidation and devotion. 'Swami, I have recently acquired a large amount of land, I would like to offer your holiness as much as you need. It can be a permanent endowment in your name.' Isanya Desikar smiled and asked tauntingly, 'Will your land yield crops even during a drought?' Then, pointing his finger towards Arunachaleswara and Apeetakuchamba, he added, 'Here is a householder with two children and a large family. It is proper to give him any amount of land, but it is not proper to gift it to me, a sannyasin.' 

Ayton took leave of him but returned on many occasions. He got into the habit of addressing him reverentially and affectionately as 'Tata', which means 'grandfather'. It is said that before he began any new project he would always mediate on Isanya Desikar and invoke his blessing by saying, 'Tata, please lead me in this work. It is your work.' At Deepam Festivals Ayton would take the lead in dragging the huge temple chariot through the streets of Tiruvannamalai. However, before moving the chariot for the first time he would pick up one of the ropes and exclaim loudly: 'Tata, you hold the rope and lead us!' The local people were all astounded that such a prominent British official should have such devotion towards a naked sannyasin. Ayton made it a point always to attend and lead this annual festival, but one year he found himself stranded by floods on the southern side of the River Pennar just before the beginning of the festival. Knowing that he was expected to be at Arunachala to start the chariot on its journey, he called out to his mount: 'Horse, I must see Tata and I must also get the Deepam Festival started. Think of Tata and cross the river!' Without a moment's delay or hesitation, the horse leapt into the raging torrent of water and effortlessly waded to the other side. None of the other people who were stranded dared to follow for they were all convinced that it would be suicidal to enter the surging waters. 

At the moment when Ayton put his faith in Tata and leapt into the water, Isanya Desikar opened his eyes after a long meditation and stretched out his hand in a southerly direction. When one of his disciples asked what he was doing, he replied, 'If someone falls into a river, should we not save him?' 

Ayton arrived safely and took Isanya Desikar's blessings to start the festival. When the news of Ayton's spectacular river crossing and Isanya Desikar's role in it spread among the Deepam crowds, many of them came to the north-eastern side of the hill to see the man who had been responsible for the miracle. Several of the new visitors turned out to be mature seekers who were looking for guidance from a Guru. Isanya Desikar accepted some as disciples, had a small thatched shed built to accommodate them and gave instruction by writing a guide to liberation entitled Jnana Kattalai.

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4. Adi Kamakshi Temple. One of the most ancient Temples at Arunachala located in a road close to Durga Amman Temple.

Front entrance of ancient Adi Kamakshi Temple

The Goddess at this Temple has a Lingam close to her Heart

5. Pavala Kundru. Located on a hill spur almost directly behind the famed Durga Amman Temple off the girivalam roadway.

Pavala Kundru Temple located on Arunachala Spur

6. Arunagirinathar Temple. Located a couple of blocks east of the Arunachaleswarar Temple’s Raja Gopuram.

Arunagirinathar Temple, third most ancient Arunachala Siva Temple

7. Kamakshi Temple. Off Thiruvoodal Street. This Goddess Kamakshi Temple is more recent than the Adi Kamakshi Temple. 

It is famous as a wish-fulfilling Shrine, and it also one of the 6 Temples at Arunachala that have steles (of Shiva and Parvati), and are believed to be part of an “Om” energetic field. 

I will write further on the six Om Temples [Parvati Temple, Niruddhi Lingam, Palani Andavar Temple, Esanya Lingam, Arunachaleswarar Temple and Kamakshi Temple (Thiruvoodal Street)].

Tenth Night and Ayyankulam Tank

Right click on photographs to view enlargements


The light still blazes through the night on the top of Arunachala, but the festivities of the Deepam Festival are over. Below are a few photographs of the latter days of the Festival. The first two photographs are of the evening of the 10th day.




Murtis of the 5 Gods giving
darshan to devotees outside the Temple



Golden Rishaba (bull) procession
rounding Temple perimeter walls


The lighting of the Mahadeepam takes place on the 10th day of the Festival after which in the evenings of the following three nights, the Gods are taken for a sailing trip on the waters of the very large Ayyankulam Tank.

The Ayyankulam is the tank of the famous Arunagirinathar Temple, which is the third most renowned Shiva Temple at Tiruvannamalai after Arunachaleswarar Temple and Adiannamalai Temple. The Arunagirinathar Temple is in fact one of my favourite Tiruvannamalai Temples and I encourage more pilgrims to visit it while at Tiruvannamalai.



Crowds at the Ayyankulam Tank
to watch the Gods on their float


To view photographs of Temples and Shrines on the perimeter of the Ayyankulam Tank, go to this link here. And to see the view from Ayyankulam Tank, go to this link here.



The Gods float setting
out on the Ayyankulam Tank


Most of the crowds have left Tiruvannamalai, and the town is slowly returning to normal. And yet we can look up and still see the blazing beacon on top of Arunachala, and look in and see the Blessing hand of Annamalaiyar.




The Blessing hand of Annamalaiyar
at 2011 Deepam

Sri Idaikadar

In my earlier posting of the 2013 Mahashivaratri Kolams inside the Arunachaleswarar Temple, one of the Kolams depicted Sri Idaikadar (Edaikadar), one of the 18 renowned Siddhas of Tamil Nadu who was considered to be an incarnation of Lord Vishnu.

One of his biggest contributions is regarded as the invention of Kayakalpa (body rejuvenation) techniques. Kayakalpa is believed to purify, nurture and revitalise the constituent elements of the body, mind and psyche with a series of customized therapy sessions, herbo-mineral preparations, vital breathing practices, dietary guidelines, and daily living recommendations.

His other contribution to Hindu practices is the current arrangement of Navagrahas (Nine Planets) in Temples. Originally, all the planets were positioned to face the Sun. However, Idaikadar saw that the original arrangement would feed the cycle of karmas of an individual. With each planet facing one another an individual would have a more difficult time breaking the grip of karmas that the planets deliver. Idaikadar used his yogic powers to ascertain a new positioning of the planets which would ensure that no two planets would face each other. In this way, a person who remedies a bad Saturn or bad Mars, would be able to deal directly with the powerful planet. It is Idaikadar who is responsible for the modern day arrangement of the Nine Planets used in all the Temples throughout India.

It is believed that Idaikadar was born sometime around the 3rd Century B.C. with a lifespan of around 600 years. The story of his attainment of yogic powers and rearrangement of the planets goes like this:

“Idaikadar lived as a humble cowherder and his daily routine was to take his cows to grassland in the morning and then in the evening bring them back to their sheds. One morning a respected Saint came to his hut and Idaikadar welcomed him. The saint observing the good hearted nature of the cowherder stayed for some days and taught him saying, 'Dear son, hearing and learning are easy. Showing one’s learning and power is commonplace in the world. You should not become as a goat in a herd. Instead live uniquely and lead the word in a proper way.'

Sri Idaikadar Kolam

As Idaikadar’s spiritual practices became more intense, his physic vision showed him an upcoming dark period of a terrible drought. After this vision and heartfelt prayers, he came up with the idea to train his cows to eat ‘Erukku’ (a milky plant common in harsh, waterless areas). He also mixed grains with wet soil and coated them on the walls of his hut.

As he predicted, a dreadful drought came exhausting all water supplies and leading to the ruination of crops. Many of the feeble and ill died, however Idaikadar’s cows grew stronger each day by heartily eating the ‘Erukku’ plant. As the plant gave the cows an uncontrollable itch, the cows scratched their bodies against the walls of Idaikadar’s hut, which were coated with the mixture of grains and soil. This made the grains fall from the hut onto the ground, whereupon Idaikadar ate them with cow’s milk as his food.

As the drought continued, most living beings were eliminated from the earth. But, Idaikadar and his cows continued to grow in strength and health. On viewing this the Nine Planets (Navagrahas) visited the cowherder to learn of his secret. He saluted the Planets, gave them mats and milk with grains. After their meal, the Planets slept and as soon as Idaikadar noticed that they were asleep, he rearranged them in an order that would be beneficial to mankind making sure that none of the Planets faced one another. Immediately the Planets were set in the right order, rain started to pour onto the land. And once again plants and life started to flourish and prosper.

On learning of his power, folk started to visit Idaikadar, praising him as if he were a God. He instructed them not to praise man but to worship God as it was only by worshipping God that one can know joy and happiness."

It is believed that Idaikadar attained his mahanirvana at Tiruvannamalai and that his samadhi is located inside the precincts of Arunachaleswarar Temple. There is confusion as to which of several places inside the compound of the Big Temple lies his Samadhi.

In a later posting I will post photographs and more information about the various sites in the Temple compound that are believed to house the samadhi of this great saint. His famous works include ‘Idaikadar Gnyana Soothram’ and ‘Idaikadar Kanida Nool’.

Navagrahas 

Maharishis gained insight into the solar system and how we as humans are influenced by each planet. They established statue representations of the planets and invoked the energy of the planet into the statue. Through praying to the statue representation of the planet a person was able to more easily establish a connection to the planetary energies and shift their own consciousness and karma. 

Position and Directions of the Navagrahas

Nowadays, in Hindu Temples, the Navagrahas (Nine Planets) are arranged in a cyclical pattern reflecting their positioning in the sky. The Sun is in the middle with other planets rotating around it as the knowledge that the world was round and the Sun was the centre of the Solar system was understood. 

Navagrahas at Arunagirinathar Temple, Ayyakulam Tank

These particular sequence of photographs depicting the Navagrahas (nine planets) is of the splendid Navagraha statues in the Arunagirinathar Temple next to the Ayyankulam Tank. This Temple is the third oldest Shiva Temple in Tiruvannamalai, and I will be uploading a full pictorial history of the Temple soon on my website Arunachala Samudra. 

Wonderfully elegant Surya in the centre

Statues with side view of Surya

2015 Deepam Festival. Day Eleven--Night: Lord Chandrasekhara on Theepal

The last of the celebratory observances during Karthigai Festival is Thirthotsavam which literally means “water festival”. Four days are allocated at the end of Deepam to celebrate the water festival at Ayyankulam Tank in front of Arunagirinathar Temple (the third oldest Shiva Temple at Arunachala). The water festival is representative of the sadhaka’s plunge into the higher realms of consciousness – and typifies an entering into samadhi... an end of religious aspiration. 

Lord Chandrasekhara Alangaram

The Theepal for the Gods are floating structure made up of drums and timber and decorated with lights, flowers, religious paintings and silken buntings. Lights are installed around the perimeter of the tank and focus lights placed at strategic points. When the murtis of the Gods come to Ayyakulam Tank they are placed lovingly on a float and then the float pushes off and completes an allocated number of turns upon the Temple Tank. Devotees sit on the steps of the tank to take darshan of the God on the Theepal. Thereafter the deity of that day is taken in procession around the four Mada Streets (perimeter streets) surrounding Arunachaleswarar Temple. 

Preparing the gods on their Float

Ready to push over from the bank of the Theertham

Crowds sitting on the steps of the Tank

Many devotees who attend the Theepal ceremonies at Ayyankulam Tank, take the opportunity to visit the adjacent Arunagirinathar Temple, which is the third oldest and most significant Shiva Temple at Tiruvannamalai -- and for many visitors a great favourite. 

Postings on my Arunachala Blogs from Tuesday, November 4, 2014 to Wednesday, December 31, 2014

This year I spent a lot of time on Deepam postings for Arunachala Grace and absolutely neglected my other Blogs: Arunachala Mystic, Arunachala Birds, Arunachala Land and Arunachala Satsang and website Arunachala Samudra. However just because I have neglected postings on my other sites doesn’t mean that I don’t have lots of fascinating narratives to upload . . . so keep checking in to all of the above. 

Regarding the Deepam postings, sometimes there was a delay in preparing photographs for each day’s functions – thus the list below which appears on Arunachala Grace, is not completely in chronological order. In the coming month, the 2014 Arunachala Mahadeepam calendar and pictorial galleries will be uploaded onto my website Arunachala Samudra. In that upload day and night functions of each day of the 2014 Karthigai Mahadeepam will be in the correct order. 

Anyhow to finish off 2014 rightly, below are links and short extracts of postings on my various Arunachala Blogs from Tuesday, November 4, 2014 to Wednesday, December 31, 2014. 

Best wishes to all the readers of my Blogs and Website for a joy-filled, auspicious 2015. 

 

Arunachala Grace 

Annamalai Swami Quotes -- Advaita app: Narrative on life of Annamalai Swami and link to an app connected with this great Saint. 

Pradosham Arunachaleswarar Temple -- December 20, 2014: Photographs of Pradosham at the Big Temple on December 20, 2014.

Arunachala Deepam Cauldron Puja: Puja on the Deepam Cauldron at the end of the 2014 Karthigai Deepam celebrations.

Karthigai Deepam Cauldron back to Temple: Photographs of the Cauldron coming back down Arunachala to the Big Temple.

2014 Deepam at Yogi Ramsuratkumar Ashram: Photographs of a very nice Deepam display created by Yogi Ramsuratkumar Ashram.

Rukku Goes on Vacation: As is becoming customary, at the end of Karthigai Deepam, our precious Rukku who is the Arunachaleswarar Temple elephant, goes on a 48 day rejuvenation camp to the forest.

Photographs -- Arunachala Karthigai Mahadeepam: December 5, 2014 Wonderful set of photographs of the night of 2014 Karthigai Deepam. 

2014 Deepam Festival. Day Nine—Night. Kailasha (Ravana) Vahanam: Kailasha (Ravana) or Ravananugraha-murti ("form showing favour to Ravana") is a benevolent aspect of Lord Siva who is depicted seated on his abode Mount Kailash with the Goddess Parvati while the rakshasa Ravana tries to shake the mountain.

Deepam Festival. Day Nine—Morning: Chandrasekhara on Purusha Muni Vahanam: Chandrasekhara on Purusha Muni Vahanam. Legend of Purusha Kapila Muni. 

Day 4 Theepal - Sri Chandikeswar. Deepam Festival December 9, 2014: Fourth and final day of the Theepal observances at the Ayyankulam Tank and part of the festivities surrounding the Arunachala Karthigai Festival.

On the Streets -- 2014 Arunachala Karthigai Deepam Festival: Photographs of some of the sights at Tiruvannamalai during the 2014 Karthigai Deepam Festival.

Day 3 Theepal - Lord Subramanya: Deepam Festival December 8, 2014. Third night of Thirthotsavam (i.e. Water Festival) Lord Subramanya (with his two wives) was taken out on a float on the Ayyankulam Tank.

Day 2 Theepal - Parashakti: Deepam Festival December 7, 2014. Goddess Parashakti was taken out on a float on the Ayyankulam Tank located in front of the Arunagirinathar Temple.

Lord Arunachaleswarar performs Karthigai Girivalam: Traditionally after Karthigai Mahadeepam Lord Arunachaleswarar performs girivalam (pradakshina) of Arunachala.

Day 1 Theepal - Sri Chandrasekaran: Deepam Festival December 6, 2014 The last of the celebratory observances during Karthigai Festival is Thirthotsavam which literally means “water festival”. 

Photographs, Video 2014 Arunachala Karthigai Mahadeepam: More photographs and video of the 2014 Karthigai Deepam celebrated at Arunachala. 

Cow Festival 2014 Karthigai Deepam Festival Tiruvannamalai: Wonderful pictorial representation of the annual Cow Festival celebrated at Tiruvannamalai during the Karthigai Festival.

Arunachala Karthigai Mahadeepam -- December 5, 2014: Photographs of Mahadeepam at Arunachaleswarar Temple, significance of Ardhanarishvara worshipped at this time. Narrative of function by Swami Abhisktananda 1970.

Bharani Deepam 2014: Photograph of the flame that will light the 2014 Karthigai Deepam on top of Sacred Arunachala

2014 Arunachala Karthigai -- Bharani Deepam: Narrative describing the function and significance of the Bharani Deepam.

Festival of Lights: Photographs of lamps of every description available for sale in the steets around Arunachaleswarar Temple. 

Deepam Puja at Sri Rajarajeshwari Temple: Puja of the Goddess at Sri Rajarajeshwari Temple the day before 2014 Mahadeepam.

2014 Deepam Festival. Day Eight—Night: Arunachaleswarar Horse Vahanam. In Hindu iconography, positive aspects of the vahana (vehicle) are often emblematic of the deity that it carries. Explanation of the horse as vahanam.

2014 Deepam Festival. Day Eight—Afternoon: Pichandavar Lord Shiva in aspect of Pichandavar (beggar) and a story about a legend of this aspect. 

2014 Deepam Festival. Day Eight—Morning: Chandrasekarar on Horse Vahanam God on his horse vahanam visits the Maha Radham which has returned to its permanent spot (near the Temple on Car Street) from its previous day's Temple circumambulation.

Carrying 2014 Karthigai Deepam pot up Arunachala: Photographs of men from the fishing caste carrying Cauldron up Hill and retelling of the legend that gave this caste the honour of charge of the Cauldron.

Puja with Rukku for 2014 Arunachala Karthigai Mahadeepam Cauldron: Puja done early morning on the 2014 Arunachala Deepam cauldron before it is carried up the Hill. 

2014 Deepam Festival. Day Seven—Full Day. Maharadham: Spectacular photographs of the procession of the huge wooden Chariot around the perimeter of Arunachaleswarar Temple.

2014 Deepam Festival. Day Four—Night: Karpavirutcham and Kamadhenu Vahanams: One of the most popular of the processions during the Deepam Festival at Arunachala, is that of the Kamadhenu, the wish fulfilling cow, and the Kalpavriksha (also known as Karpavirutcham), the wish fulfilling tree. Both of which emphasis the wish fulfilling aspect of Arunachala. 

2014 Deepam Festival. Day Six—Night: Silver Chariot: Beautiful photographs (click to enlarge) of the night procession of the Lord on His Silver Chariot.

2014 Deepam Festival. Day Six—Morning. Elephant with 63 Nayanars: A glorious Silver Elephant leads a procession of the great Shiva devotees, the 63 Nayanars.

Live TV coverage and online streaming video 2014 Karthigai Deepam: Links to live TV and online streaming videos of the lighting of the 2014 Deepam.

2014 Deepam Festival. Day Five—Night: Big Silver Rishabam: Big Silver Rishba with beautiful narrative by Swami Abhishekananda, 1970.

2014 Deepam Festival. Day Five—Day Chandrasekhara in Rishabam: Photographs of Chandrasekhara in Rishabam (bull) Vahanam. Click photos to enlarge.

2014 Karthigai Deepam Festival -- Cultural Programmes: Photographs of the cultural programme during the 2014 Karthigai Deepam celebrations.

Crowd Scenes 2014 Karthigai Deepam, Arunachala: Sequence of crowd photographs taken during the early days of the 2014 Karthigai Deepam Festival

2014 Deepam Festival. Day Four—Day: Naga Vahanam Procession of Chandrasekhara and Naga Vahanam

2014 Deepam Festival. Day Three-Night. Shima Vahanam Simha (lion): A creature that represents lordly power in general and lordly power of wild beasts in particular. 

Deepam Festival. Day Three-Day. Bootha Vahanam. Lord Chandrasekhara on the Bootha Vahanam procession.

Deepam Festival. Day Two—Night: Lord Shiva on Indira Vahanam who as God of thunder and rain and a great warrior is a symbol of courage and strength. 

2014 Deepam Festival. Day Two—Morning: Surya Perai Vaghanam Photographs of morning procession of the Lord on Surya Perai Vahanam.

2014 Deepam Festival. Day One—Evening: Adhikara Nandi Vahana Procession of Siva with his vahana of Adhikara Nandi – aspect of Nandi in the form of a bull-head human standing on two legs.

Day One 2014 Deepam Festival -- Panchamoorthy Silver Vimana procession: This procession followed the flag hoisting ceremony marking the beginning of the 2014 Karthigai Deepam.

Flag Hoisting, 2014 Arunachala Karthigai Festival: Flag Hoisting ceremony at Arunachaleswarar Temple took place, marking the first day of the 2014 Deepam Festival at Arunachala.

Vinayagar Ursavam—November 25, 2014: Celebration in evening at Arunachaleswarar Temple of the Vinayagar Ursavam.

Pidari Ursavam, 2014 Karthigai Deepam Festival: Pidari Ursavam was observed at Shrine. This Goddess is an aspect of the ferocious Goddess in a rural setting and regarded as being a consort of Siva through being an aspect of Kali. 

Durgai Ursavam—November 23, 2014: Reason for the unique connection with the Goddess at Durga Amman Temple to the Karthigai Festival

2014 Karthigai Deepam -- Temple Preparations: Last touches of preparation at Arunachaleswarar Temple for the upcoming 2014 Karthigai Deepam Festival. 

2014 Karthigai Temple -- Arunachaleswarar Temple Illumination: Beautiful photograph of the illuminated Temple during Mahadeepam. Click to enlarge.

Take a Virtual Tour of Arunachaleswarar Temple: Links of virtual tours of Arunachaleswarar Temple and some of its shrines. 

Pradosham November 19, 2014: Photographs of the recently observed Pradosham at Arunachaleswarar Temple on Wednesday November 19, 2014.

2014 Major Karthigai Deepam Functions: Major functions with photographs that will be enjoyed over the 2014 Karthigai Deepam Festival.

2014 Deepam Preparations Underway: Photographs of spring cleaning at the Arunachaleswarar Temple. 

2014 Arunachala Deepam Preparations: Photographs and preparation for Deepam with illuminations and new Theepal.

Significance of Rice Puja: During the month of Aippasi on Ashwini Star, as declared by Lord Shiva puja is performed with cooked rice and rice food items. 

Pradosham -- Tuesday November 4, 2014: Photographs were taken on Pradosham as observed at Arunachaleswarar Temple, Tiruvannamalai.

New Arunachala Blog: New Blog starts authored by an Australian lady (Apeetha Arunagiri) who lives in India each year from July to December

Sadhus and Sannyasins at Raghavendra Shrine: Arunachala Feeding of sadhus at Sri Raghavendra Shrine, Girivalam Roadway.

2014 Karthigai Deepam Arunachala Programme: Arunachaleswarar Temple Programme for 2014 Karthigai Deepam.

  

Arunachala Mystic 

Shirdi Sai Baba at Arunachala: Beautiful photographs of the Shirdi Sai Baba shrines at Arunachala. Narrative entitled ‘Complete surrender to Shri Sai Baba of Shirdi.’

Meeting of Ramana Maharsi and Paramahansa Yogananda: Information about the meeting of these two great saints.